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11/16/09 ZuZu Cambridge, MA
11/20/09 Space Gallery Portland, ME 12/05/09 Bruar Falls Brooklyn, NY |
Every couple of months I go through what my friends lovingly
call a “twee midlife crisis.” I listen to one too many Tullycraft songs or
suddenly find the dulcet tones of the glockenspiel unbearable. During these
spells, the only cure is a couple of hours of Joy Division and some pronounced
sulking. And yet, the irresistible jangle always lures me back. In the immortal
words of R. Kelly: “My mind’s telling me no, but my body’s telling me yes.”
That’s twee for me.
Pants Yell’s newest (and final) album, Received Pronunciation, encapsulates the siren-like influence that indie pop has over me. The vibrant guitars, the charming lyrics, the sugary sweet pessimism: it’s all there. Pants Yell has always been the more understated, precise bands of the pop scene, and they’ve made a name for themselves by crafting intricate, witty pop gems that feel like eloquent inside jokes. From the tentative opening notes of “Frank and Sandy” to the upbeat apology of “To Take,” lead singer and guitarist, Andrew Churchman, proves that the band is able to expand their sound while maintaining the modest sensibilities that have
made them mixtape staples.
First single, “Cold Hands,” displays slightly crunchier guitars than expected and lyrics dripping with wisdom that only hindsight can provide. “I was young, I was selfish, I was in love, but now I’m over it,” Churchman sings with cheerful spite. On their first album, Songs for Sibling, the band embraced the roles of lovable losers, but Received Pronunciation shows them at a new advantage, where they’ve grown up but still have the childish vindictiveness that adults always fall back on. On the hostile-yet-sunny track, “Got to Stop,” Churchman calls out a guy for being an “asshole,” and in the twee world, that’s as close as you’re ever going to get to a Maury-like smackdown.
Although the claws do come out on this album, they are still Pants Yell, after all. Amidst the slew of passive aggressive quips and snide comments, there remains upbeat melodies and hyper-articulate hooks. It’s everything a pop album should be, but with just the right amount of snark to keep it from OD-ing on its own cuteness. So when the time comes for my regularly scheduled twee meltdown, I know I can count on Pants Yell to get me through my inevitable withdrawals.
Pants Yell’s newest (and final) album, Received Pronunciation, encapsulates the siren-like influence that indie pop has over me. The vibrant guitars, the charming lyrics, the sugary sweet pessimism: it’s all there. Pants Yell has always been the more understated, precise bands of the pop scene, and they’ve made a name for themselves by crafting intricate, witty pop gems that feel like eloquent inside jokes. From the tentative opening notes of “Frank and Sandy” to the upbeat apology of “To Take,” lead singer and guitarist, Andrew Churchman, proves that the band is able to expand their sound while maintaining the modest sensibilities that have
made them mixtape staples.
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First single, “Cold Hands,” displays slightly crunchier guitars than expected and lyrics dripping with wisdom that only hindsight can provide. “I was young, I was selfish, I was in love, but now I’m over it,” Churchman sings with cheerful spite. On their first album, Songs for Sibling, the band embraced the roles of lovable losers, but Received Pronunciation shows them at a new advantage, where they’ve grown up but still have the childish vindictiveness that adults always fall back on. On the hostile-yet-sunny track, “Got to Stop,” Churchman calls out a guy for being an “asshole,” and in the twee world, that’s as close as you’re ever going to get to a Maury-like smackdown.
Although the claws do come out on this album, they are still Pants Yell, after all. Amidst the slew of passive aggressive quips and snide comments, there remains upbeat melodies and hyper-articulate hooks. It’s everything a pop album should be, but with just the right amount of snark to keep it from OD-ing on its own cuteness. So when the time comes for my regularly scheduled twee meltdown, I know I can count on Pants Yell to get me through my inevitable withdrawals.
11/16/2009 03:54:06 ♥ kateg (
)
♥ myspace.com/pantsyellmusic
♥ slumberlandrecords.com
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11/14/09
Double Door Chicago, IL
Read More
11/16/09 Al’s Bar Lexington, KY 11/17/09 Cliff Bells Detroit 11/18/09 Wrongbar Toronto, ON 11/19/09 ll Motore Montreal 11/20/09 Westcott Theater Syracuse, NY 11/21/09 LPR NY, New York 11/22/09 Liv Nightclub Washington DC 11/23/09 Magnus Music LLC Charlottesville 11/24/09 Milestone Charlotte, NC 11/25/09 Local 506 Carrboro, NC 11/27/09 BottleTree Birmingham, AL 11/28/09 Spanish Moon Baton Rouge, LA 11/29/09 House Of Blues Dallas, TX 11/30/09 Emos Jr Austin, TX 12/02/09 Rhythm Room Phoenix 12/03/09 Casbah San Diego, CA 12/04/09 El Rey LA, CA 12/07/09 Rythm Factory London 12/08/09 HiFi Club Leeds 12/09/09 Jam Brighton 12/17/09 Palác Akropolis Prague |
Such a nice night for mid-November at the 400 Bar. Athletes in Slacks (myspace) warmed up the crowd with their laidback loungey harmonizing sound that only two keyboarders and a guitarist can produce. The band claims all their songs are about love, except later on their hour-long set, they introduced a song about hating two guys from New York. They did finish strong with a cover of INXS's "Never Tear Us Apart", and that's what really matter.
The first time I heard about Swedish band Little Dragon, was in January. Ceji was really into them. Since we generally like Swedish bands here, I did try and keep up with their whereabouts. As it turns out, they're in the middle of their tour through the US to promote their sophomore album, Machine Dreams. Although the band's been here already, they confessed last night that this was their first time in Minneapolis.
From what I heard from their live set, their new songs seems to drifts from the R&B and Jazz influence to more electro and beats. I think the combination works well for them, especially since I like their big beats/electronica sound.
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I've been to a lot of shows lately, and I can tell you that this was one of the best shows yet. They're heading their way to the East Coast, so definitely check them out. If they're not heading through your city, you should check out Machine Dreams, out now on Peacefrog Records.
11/14/2009 03:52:14 ♥ vu (
) ♥ little-dragon.se ♥ myspace.com/yourlittledragon It
was a dark and stormy night.... well, less stormy and more irritatingly
rainy.... anyway it was a night to venture out for the purpose of
viewing the album launch show of Sydney boys, The Maladies.
Playing a bunch of songs from their debut album, With You Right By My Side, Baby The Deal Just Can’t Go Down,
it was a pretty fine show, I must say. Loud, dirty, bluesy rock, from
foot tap inducing tunes to slow, sullen mini-epic songs, but still not
quiet. I'd
never actually been to a Maladies show before so I was not sure what to
expect. Thankfully, it wasn't disappointing in the slightest. I can
only assume that the horn section and the back-up lady singers might
have been a special occasion for album launching purposes, possibly not
the correct sized stage for so many people to squish on to, but you
really can't go wrong with a very large saxophone. All
the same, quite impressive musicality, the entire band (including
back-up musicians on this particular occasion) didn't put a foot wrong.
Nice.
Ask
me to name a track. Well no, I can't because I am yet to acquire a copy
of the album, but i can assure you, that either catching a Maladies show and/or purchasing your very own copy of With You Right By My Side, Baby The Deal Just Can’t Go Down is quite a good idea.
If you are in Brisbane or Melbourne you are in luck because there's more shows to be played:
19 Nov - The Step Inn Fortitude Valley, Queensland w Mexico City & Sue Ray
27 Nov - The Tote Melbourne, Victoria. w James McCann’s Dirty Skirt Band, Black Pony Express & Little John.
An honourable mention also has to go to Jamie Hutchings. I'm sure he's being playing shows in some form or another since before the dawn of time. Always enjoyable.... and, it seems, about to embark on a tour of europe, so if you're over that way, be sure to keep your eyes and ears peeled. Or maybe just look at his website for tour dates (might be easier).
20 Nov 2009 - MUM at World Bar, Kings Cross, Sydney, 21 Nov 2009 - The Clubhouse (formerly Empire Corner Bar), Fortitude ValleyThe Maladies - http://www.myspace.com/themaladiesbandJamie Hutchings - http://www.myspace.com/jamiehutchings
The RocketsmithsThe Rocketsmiths....
brought to me by facestalk.... but really.... considering the vast
volumes of bands that pop up via the internet I must admit this
offering from The Rocketsmiths is not too shabby at all. Not what i'd usually admit to listen to. Anyway, a neat little tune named Doctor
has landed on my earpod, and i must say I like it. It's simple, it's
pounding, straight down the line. Punk pop, short and sweet. A five
piece from Brisbane, The Rocketsmiths have been around for some time (well, since 2006 at least) and released a handfull of EP's. Well worth further investigation.Tour dates for the Doctor tour... here:The Rocketsmiths -http://www.rocketsmiths.com/
Fan Death
Well, according to Wikipedia (an obvious reliable source) Fan Death is "a South Korean urban legend which
states that an electric fan, if left running overnight in a closed
room, can cause the death of those inside (by suffocation, poisoning,
or hypothermia)." As for the band, Fan Death
is a couple of ladies who make a brand of discotheque pop stylings of
the type that I have never heard before. It's like modern disco,
really. Very simple standard disco backing with two female voices
singing over the top. Enough to drive you nuts if disco isn't your
thing, but i have a little soft spot for disco music....(thanks mum),
but not so much for this tune (bring on the Walter Murphy Band... ahem). There's
not a lot of obvious information available as to where these ladies are
from, so I can only assume that they are american and it appears there
are no live shows on the horizon. Maybe they've gone to Korea to dispel
the rumours.Fan Death -http://www.myspace.com/fandeathSally
How is one to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in life, when one finds darkness not only in one's culture but within oneself? If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox. One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse. There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light.
-B. Lopez, Arctic Dreams
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11/11/09 Oberlin College IL
Read More
11/12/09 North Star Bar Phila, PA 11/13/09 Brooklyn Bowl Brooklyn, NY 11/14/09 Ottobar Baltimore, MD 11/15/09 Bowery Ballroom NY 12/08/09 Mono Pescara 12/09/09 Circolo degli Artisti Rome 12/10/09 Live Forum Milan 12/11/09 Spazio 211 Turin 12/12/09 Bronson Ravenna |
I arrived late to the Triple Rock, in Minneapolis, so I had already missed some of Surfer Blood (myspace / twitter).
However, I did get the gist of the band, who seems like they are going
to be a hot new buzz band - like Vampire Weekend. Highlight of their
set was the last song, in which the guitarist brought the solo drum
into the audience as everyone on stage went monkeys. (Sort of feels
orchestrated to me, like they didn't really put much effort in trashing
their equipments). The audience seem to welcome Blood Surfer, so it's
all good.
Loads of Art Brut fans were in the
audience that night. You can tell by all the t-shirt and their
eagerness of being in front and center. When the band came on, doing
"Formed a Band", which singer Eddie Argos turns to the audience and
said, "you ought to try it, it's brilliant!"
Eddie looks like a guy that doesn't take himself too seriously. He seems to like to drink a lot and talk a lot (but with his thick British accent, it's not like we could understand half what was said). He seems to swagger on stage a lot, often using his left arm to illustrate the songs.
There wasn't enough room on stage for Argos to do his infamous microphone skip, but he did manage to sing half of "DC Comics" by the bar section. Speaking of which, I think it's cool that Argos is a huge DC fan - since UK comics are usually, you know, 2000 AD/Judge Dredd sort. During the song, Argos spouted out what I hear as "Christian Bale", "Booster Gold" (if I can remember, I think he was basically a janitor from the future with future tech and a Legionaires flight ring), and something about "Metropolis".
As you can see from the setlist, they did a mix of new and old songs. The setlist
also doesn't reflect what was played, for instance, I know "The
Passenger" was played well after "DC Comics". I suppose the setlist was
more of a rough guideline than actual instructions.... which actually
fits the way Art Brut operate.
The thing about "The Passenger", from their latest album Art Brut vs Satan, is that it got this great introduction. Eddie explained how he thought the Iggy Pop song was about taking the subway, "Iggy doesn't seem to me to be the driving sort." It wasn't until later did he discovered that Iggy's song was about taking heroin in back of a limo with David Bowie. Too funny.
Oh the other thing, the way Eddie sings, if you can call it singing, is quite interesting. It's more like rambling, it definitely feels at time like The Fall - only with a lot heavier backing band.
The band left and came back with three encores. I thought I heard Eddie saying "we don't normally do this", which may have been said in an ironic kind of way. I really couldn't tell, all I know is that the encores were met by the fans' demands.
PS, They only had T-Shirts and CDs for sale at the merch table. I was
hoping to see some of their awesome shoes. It's £20 online, which is
about $40 USD, but totally worth it if you are a massive Art Brut fan.
Get those shoes, and also their latest album, Art Brut vs Satan, at the usual online stores.
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Eddie looks like a guy that doesn't take himself too seriously. He seems to like to drink a lot and talk a lot (but with his thick British accent, it's not like we could understand half what was said). He seems to swagger on stage a lot, often using his left arm to illustrate the songs.
There wasn't enough room on stage for Argos to do his infamous microphone skip, but he did manage to sing half of "DC Comics" by the bar section. Speaking of which, I think it's cool that Argos is a huge DC fan - since UK comics are usually, you know, 2000 AD/Judge Dredd sort. During the song, Argos spouted out what I hear as "Christian Bale", "Booster Gold" (if I can remember, I think he was basically a janitor from the future with future tech and a Legionaires flight ring), and something about "Metropolis".
|
|
The thing about "The Passenger", from their latest album Art Brut vs Satan, is that it got this great introduction. Eddie explained how he thought the Iggy Pop song was about taking the subway, "Iggy doesn't seem to me to be the driving sort." It wasn't until later did he discovered that Iggy's song was about taking heroin in back of a limo with David Bowie. Too funny.
Oh the other thing, the way Eddie sings, if you can call it singing, is quite interesting. It's more like rambling, it definitely feels at time like The Fall - only with a lot heavier backing band.
The band left and came back with three encores. I thought I heard Eddie saying "we don't normally do this", which may have been said in an ironic kind of way. I really couldn't tell, all I know is that the encores were met by the fans' demands.
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11/11/2009 00:00:22 ♥ vu () ♥ artbrut.org.uk ♥ myspace.com/artbrut
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Taking a break
from the usual live reviews of late, I will be doing some much-ignored
reviews this week. Today's theme is all from the same record label.
Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.
For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).
Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.
It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.
Brokencyde, or seemingly nonsense caplock problem, brokeNCYDE (myspace),
is also under Subnoize's screamo/punk label, BreakSilence Recordings.
This sub-label also houses Eyes Set To Kill and Kill Paradise.
Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".
The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".
They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, thatsome
ALL of their songs with messages of drinking and sex, might not appeal
to everyone. Then again, perhaps that's why "the kids like it". The
real irony is that with all the cursing, you may have to be over 18 to
purchase it.
Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).
If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.
Kottonmouth King (official / myspace)
should need no introduction for any fans of Hightimes. The group found
success in that "green" niche market, and is the flagship band on
Suburban Noize label - possibly due to the record company being started
by member Daddy X, and their manager, Kevin Zinger.
Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.
While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".
The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?
Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.
The DVD portion is a Best Buy exclusive. The two
hour DVD featuring the band on tour, music videos and various miscellaneous. The audio and video quality can sometime be quite poor
(night-time shooting is always an issue) to quite good (see image
capture of a great quality), and I think sometime the director overuses
the fisheye lens. Still, can't complain too much since it's added
value.
Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.
Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.
For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).
Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.
It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.
 Tour Dates
11/15/09 El Corazon Seattle, WA
11/16/09 Satyricon Portland, OR 11/17/09 DNA Lounge SF, CA 11/18/09 Boardwalk Orangevale, CA 11/20/09 Starline Fresno, CA 11/21/09 Modesto Virtual Modesto, CA 11/22/09 Chain Reaction Anahiem, CA 11/23/09 Karma Victorville, CA 11/24/09 Roxy Los Angeles, CA |
Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".
The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".
They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, that
Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).
If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.
 Tour Dates
11/13/09 Budweiser Event Center* CO
11/14/09 Mid America Center*, IA 11/15/09 Uptown Theater* Kansas City, MO 11/17/09 Val Air Ballroom Des Moines, IA 11/18/09 Aragon Ballroom* Chicago, IL 11/19/09 The Fillmore* Detroit, MI 11/26/09 Grove of Anaheim, CA * with 311 |
Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.
While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".
The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?
Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.
Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.
11/10/2009 18:05:38 ♥ vu () ♥ suburbannoizerecords.com ♥ suburbannoizejapan.com
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